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Catalog No. 351 Trumpet / Catalog No. 349 Cornet / Catalog No. 342 Fluegelhorn*
 
Model No. Depth of Cup Approx. Cup Dia. Rim Shape Description
1* Deep 17.50 mm Medium thin. Extra-large cup for players with a robust embouchure.
Produces a great volume of tone.
1X Deep 17.00 mm Medium wide. The pre-1970 (old style) No. 1, with slightly smaller cup and wider rim than the present model.
1B Medium deep 17.00 mm Medium wide. Large cup for players with a robust embouchure.
Produces a warm tone with great volume.
1C* Medium 17.00 mm Medium wide. Large diameter, medium cup – good for all-around use.
1CW Medium 17.00 mm Slightly wider, gradually lowered to outside. Same as No. 1C with wider cushion rim.
1D Medium shallow 17.00 mm Medium wide. Medium shallow cup facilitates high register. Brilliant sound.
1E Shallow 17.00 mm Medium wide. Facilitates high register. Excellent mouthpiece for soprano or piccolo trumpet.
1 1/4C Medium 17.00 mm Medium wide. Large cup for powerful trumpeters. Compact tone of great carrying power.
1 1/2B Medium deep 17.00 mm Medium wide, not too sharp. Produces a scintillating, warm tone of large volume.
For players with a well-trained embouchure. Comfortable rim contour.
1 1/2C* Medium 17.00 mm Medium wide,
not too sharp.		 Large diameter, medium cup – good for all-around use.
2 Deep 16.50 mm Medium wide, lowered toward the outside. Large cup; powerful Teutonic quality of tone.
For players with a good embouchure.
2C Medium 16.50 mm Medium wide, lowered toward the outside. Large cup; powerful, brilliant tone. For players with a good embouchure.
2 1/2C Medium 16.40 mm Medium wide, lowered toward the outside. Large cup; brilliant, heroic, crisp C trumpet tone. For players with strong, muscular lips.
2 3/4C Medium 16.40 mm Medium wide, lowered toward the outside. Slightly more narrow than No. 2 1/2C. Large cup; bright, lively C trumpet tone.
For players with a normal embouchure.
3 Deep 16.30 mm Medium wide. Fairly large cup with full, rich tone.
3B Medium 16.30 mm Medium wide. A fairly large cup.
The tone is warm and full.
3C* Medium 16.30 mm Medium wide. Fairly large cup, good for all-around use.
3CW Medium 16.30 mm Slightly wider, lowered to outside. Same as No. 3C with wider cushion style rim.
3D Medium shallow 16.30 mm Medium wide. Fairly large, medium shallow cup produces a more brilliant tone. Facilitates high register.
3E Shallow 16.30 mm Medium wide. Preferred by players who want a large mouthpiece but with a shallow cup. Facilitates high register.
3F Extra shallow 16.30 mm Medium wide. Same as above but with extra shallow cup. Produces sparkling tone in the extreme high register.
5A* Very deep 16.25 mm Medium wide, rounded inside edge. A fairly large cup with a dark, full, mellow tone.
5B* Medium deep 16.25 mm Medium wide, lowered toward the outside.
Medium sharp edge.		 A precise rim and a fairly large cup. The tone is vivid and full.
5V Very deep 16.25 mm Same as above. V style cup with larger #20 throat and #25 backbore.
Free blowing, very flexible.
5MV Medium deep 16.25 mm Same as above. Medium deep V style cup with #25 throat and #25 backbore. Good commercial sound.
5SV Shallow 16.25 mm Same as above. Shallow V style cup with #25 throat and #25 backbore.
5C* Medium 16.25 mm Medium wide, well rounded toward the inside and outside, fairly flat. For players with a strong embouchure who do not like a sharp edge. The tone is lively and rich.
6 Deep 16.20 mm Medium wide, Produces a rich, clear tone of substantial body. Its rim shape
not too sharp. was preferred by Vincent Bach. (Cornet model comes with #24 backbore as standard.
6B Medium deep 16.20 mm Medium wide,
not too sharp.		 Produces a beautiful, ringing tone and responds easily. Medium-large size gives the lips sufficient room to execute freely.
6BM Medium deep 16.20 mm Medium wide, not too sharp. Same as No. 6B but larger #26 throat, #24 backbore. Large symphony sound.
6C* Medium 16.20 mm Medium wide, not too sharp, rather flat. A distinctive C trumpet cup. Its clear tone cuts through the largest bands and orchestras.
7* Deep 16.20 mm Medium wide, lowered toward the outside.
Med. sharp inside edge.		 This popular model produces a colorful, liquid tone which is uniform over the entire scale. Desirable for all-around work.
7A* Very deep 16.20 mm Medium wide, lowered toward the outside.
Med. sharp inside edge.		 Warm, melodious, rich tone approaches the quality of a lyric soprano voice. Free blowing.
7B Medium deep 16.20 mm Medium wide, lowered toward the outside.
Med. sharp inside edge.		 Slightly livelier timbre than No. 7, full in the low and middle registers, responds easily on high tones. Warm, rich sound.
Well suited for all-around use.
7BW Medium deep 16.20 mm Slightly wider, lowered toward the outside. Med. sharp inside edge. The same features as No. 7B with a cushion rim for players with slightly heavier lips.
7C* Medium 16.20 mm Medium wide, lowered toward the outside.
Medium sharp inside.
Well-rounded edge
with a perfect grip.		 Probably the most widely used model in the world. Its brilliant tone is preferred by school musicians and by artists.
7CW Medium 16.20 mm Slightly wider, gradually lowered toward the outside. The same as No. 7C with a comfortable cushion rim contour.
Very practical for strenuous work and players with large lips.
7D Medium shallow 16.20 mm Medium wide, lowered toward the outside.
Similar to No. 7C.		 A shallower cup than No. 7C, designed principally for D trumpet, but used successfully where great brilliance and easy high register are required.
7DW Medium shallow 16.20 mm Slightly wider than No. 7D. This shallow Eb soprano trumpet (or cornet) cup is excellent for D trumpet and for playing continually in the high register.
Cushion rim is helpful to players who use a little too much pressure.
7E Shallow 16.20 mm Medium wide. Similar to No. 7C. This extra shallow Eb soprano trumpet (or cornet) cup produces a crisp, sparkling tone in the extreme high register. Widely used for piccolo trumpet.
7EW Shallow 16.20 mm Slightly wider than No. 7E. The same as No. 7E with a cushion rim. For players accustomed to playing with much pressure, especially in the high register.
8 Deep 16.20 mm Fairly wide with slightly flatter surface than No. 7. Rounded inner edge. The same cup as No. 7 but with a rim that players with protruding teeth find more comfortable.
8B Medium deep 16.20 mm Fairly wide with slightly flatter surface than No. 7B. Rounded inner edge. The same cup as No. 7B with a rim that players with protruding teeth find more comfortable. Darker sound than No. 8.
8C Medium 16.20 mm Fairly wide with slightly flatter surface than No. 7C.
Rounded inner edge.		 The same cup as No. 7C but with a rim that players with protruding teeth find more comfortable.
8 1/2 Deep 16.10 mm Medium wide, lowered toward the outside.
Med. sharp inside edge.		 Slightly smaller in diameter than No. 7; produces a full, round tone. Preferred by players with a sensitive embouchure and by those whose work is very strenuous.
8 1/2A Very deep 16.10 mm Medium wide with rounded inner edge. Produces a full, velvety tone. Suitable for cantilena playing.
8 1/2B Medium deep 16.10 mm Medium wide, lowered toward the outside. Medium sharp edge. Like No. 7B but with a cup diameter just enough smaller to facilitate production of the high tones.
8 1/2C Medium 16.10 mm Medium wide, well rounded. Medium C cup provides flexibility and easy response.
Clear, brilliant tone throughout the register.
8 3/4 Deep 16.10 mm Medium wide, not too sharp. Produces a tone of great volume and Teutonic character.
Very effective in symphonic work and opera.
8 3/4C Medium 16.10 mm Medium wide, slightly flat. Similar to No. 7C, but with a slightly smaller cup diameter.
Response helps endurance for players who suffer from fatigue.
9 Deep 16.05 mm Medium wide, lowered toward the outside. The same style and rim as No. 7, but with smaller cup diameter.
9A Very deep 16.05 mm Medium wide, well rounded. Produces a mellow, sweet tone.
9B Medium deep 16.05 mm Medium wide, lowered toward the outside. Corresponds with No. 9. Slightly darker tone. Players with narrow lips who tire quickly feel relieved when using this model.
9C Medium 16.05 mm Medium wide, lowered toward the outside. Similar in size to No. 9 but produces a more brilliant, open tone. Free high register, easy response. Suitable for strenuous all-around work by players with narrow lips.
9D Medium shallow 16.05 mm Medium wide, lowered toward the outside. Similar in size to No. 9 and in tone to the more brilliant No. 7D.
Players with narrow, sensitive lips get satisfactory results with this model. Recommended for the extreme high register.
10 Deep 16.00 mm Fairly wide with rather broad, flat surface. Similar to No. 7, but smaller in size and with a broad, flat rim.
Suitable for players with fleshy, soft lips.
10B Medium deep 16.00 mm Fairly wide with rather broad, flat surface. Same size as No. 10 but with warmer tone. Gives good results to players with heavy, thick lips—especially those who become easily fatigued.
10C* Medium 16.00 mm Fairly wide with rather broad, flat surface. Same rim as No. 10, but with a medium C cup. Especially designed for high notes and sparkling brilliancy.
10 1/2A Very deep 15.90 mm Medium wide, well rounded. Produces the mellow, rich lyric cornet tone favored by players of the Italian school.
10 1/2C* Medium 15.90 mm Medium wide. Fine high register, resonating low register. Particularly useful to players without a strong embouchure. Ideal for C trumpet.
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