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SCHILKE TENOR TROMBONE and BARITONE/EUPHONIUM MOUTHPIECES

Model

Description

40B

Extremely small inner rim diameter and a "B" shallow cup. Has a wide-rounded rim contour. For the trumpet player who doubles on trombone.

40

Since the cup diameter is small, the upper register is favored. In addition, the tone has considerable projection. It is excellent also for the bass trumpet and valve trombone.

*42B

ARTIST MODEL An adaptation for Tommy Dorsey, particularly suited to the small tenor trombone.

42

Has the advantage of a small mouthpiece, but the cup diameter and volume are increased a bit.

*43A

ARTIST MODEL (Formerly Cimera-Sares #3) Designed for the modern tenor trombone lead player desiring an easy high register.

44E4

Though a small cup diameter, this mouthpiece has a very deep "E" cup and semi-flat rim.

*45B

ARTIST MODEL (Formerly Cimera-Sares #2). Designed for the modern lead tenor trombone player Larger in cup volume than the #43A

45

The semi-flat rim has a high point close to the center of the mouthpiece. allowing a great deal of flexibility.

46

Slightly on the small side, this is a good beginners mouthpiece with all the standard characteristics.

46D

The cup diameter and volume is somewhat larger than the #46, producing a frill, more robust tone. Recommended for the baritone/euphonium.

*47B

ARTIST MODEL (Formerly Cimera-Sares #1 A good all around mouthpiece for the lead player. Produces rich high register.

47

(Formerly Model "R") For both professionals and students, this is an outstanding mouthpiece combining good response with superior quality and intonation.

47C4

Like #47 but a slightly wider #4 rim, somewhat flatter contour favoring cushioned rim comfort.

50

Particularly adapted to the large bore tenor trombones. The Schilke standard characteristics make this a fine all around mouthpiece.

*51B

ARTIST MODEL Developed for Jay Friedman, principal trombonist of the Chicago Symphony. Has a medium-small "B'' cup with a smaller throat.

*51

ARTIST MODEL A large bowl producing a rich tone quality...the basic trombone mouthpiece used by Ralph Sauer, of the Los Angeles Philharmonic.

*5lC4

ARTIST MODEL  Similar to the #51 sixth a slightly shallower cup and a #4 semi-flat rim. Developed for Byron Peebles, trombonist of the Los Angeles Philharmonic.

51D

The extremely large "D" cup volume is excellent for the powerful player. It is particularly suited to the euphonium, producing a full dark tone.

52

Well suited to the first trombone orchestra player. Leans toward a brighter sound due to the shallower cup shape.

*52D

ARTIST MODEL  Created for Joe Owens at Indiana State University. Terra Haute. Indiana. Deep ''D'' cup makes it ideal for symphonic or solo bone playing.

*52E2

ARTIST MODEL  Created for Thomas Beversdorf of Indiana University. The very' deep "E" cup and narrower #2 rim makes this an ideal symphonic mouthpiece.

53

(Formerly Model "G") This combination of large cup diameter amid bowl is widely favored by those who desire a rich full sound.

Most Tenor Trombone Mouthpieces also available with bass trombone stem.

SCHILKE BASS TROMBONE MOUTHPIECES

Model

Description

57

For those who play both tenor and bass trombone, this mouthpiece is an excellent choice.

58

The best bass trombone mouthpiece for the full-time bass trombonist, combining both a good lower and upper register as well as good intonation.

59

This mouthpiece produces a full large tone, so essential in symphony orchestras and in bands where a large, powerful deep tone is essential.

60

Larger than the #59, this mouthpiece is for those desiring an extremely large bass trombone mouthpiece. (More Teutonic)

SCHILKE TUBA/SOUSAPHONE MOUTHPIECES

Model

Description

62

(Formerly Model "A") A superior standard mouth piece with a good centered sound, easy response, both high and low, and good intonation. Also good for the E or F tuba.

66

Designed from the original Helleberg in our collections. It has excellent rich tone quality of enormous volume, preferred by the professional artist.

67

(Formerly Model "H") Similar to the foregoing Helleberg model, but a bit larger. The contours are the same as #66  excellent rich tone, sonorous low register.

69C4

This mouthpiece was developed for a prominent West Coast tuba player. It has a very comfortable rim with a cup that is not too deep. The results of this combination form a mouthpiece bat has an excellent characteristic sound, and facilitates all registers of the instrument.

S-H

This model is an adaptation of another original Helleberg with a rim contours slightly different from the one that was used for our #66. This mouthpiece has a sound that is both clear and dark.

Osmun Music, Inc.

PHONE: 1 (781) 646-5756

FAX: 1 (781) 646-2480

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