Table 2

Form of Second Movement

Measure 1 13 17 25 41 49 61 81=

(cf.)17

89=

25

97=

9

101=

13

105
Section A (Exposition) B (Development)(recap?)
Group 1 2  
Theme 1 x A 1’ B bridge y 2 y

A+1/5

closing y

2x

1’ B+x x+B A

piano

A

hn/vln

Important

Harmony

  i-bVII-Fr6-V

x4

V7 I I-ger6-

V64-V7

I I-bvii-o7/bIII-bIII  
Key Eb(g) G(C-F-Bb) Eb eb-bb (Bb) Bb Bb -(Eb) Eb Eb-F#/

F#-A

A-c#

cf. Eb-G

c#(F#-B-E) c#(D#-g#-C#)
Measure 109 113 118 121=

17

137=

25

153 163=

9

167= 13 171=17 179= 25 191=41 199=

49

207=49!
Section (B)(Development) A(Recapitulation)
Group   1 2
Theme (A)

ext. alt.

(A)

ext. pf.

(A)

cadence

1

dbld!

B

dbld!

(B)

ext.

x A 1

alt!

B brdge 2

abbr.

2 y
Important

Harmony

  2x harm rthm   i-bVII-Fr6-Vx2     i-bVII-Fr6-V x2 V7 V/1 V/Eb
Key (F#-B-E/

D#-g#-C#)

(F#-B-E-g#-d#-g#-c#-E-B-E) (F#-C#-F#) B B = Cb-Ab-c c!

(not Eb!)

G(C-F-Bb) Eb eb-Bb (Eb) Eb!! Bb-Eb

-Ab

 

Measure 227

cf.42

235=

61

243=

227

251 278 287 300 311 323 327 347 359
Section Fine Trans Trio D.C.
Group A B A
Theme z!! closing y

1x

z!! closing y

ext. 3x

y 4 4 4 ext.

4+4+2+2

cadence 4 cadence mod
Important

Harmony

i I-ger6

-V64-V7

V7 V7--tonic ger6--V7 V64-V7-i V4-3
Key ab-Fb Cb eb-cb Gb-Cb-Fb-Eb-(f)-Eb ab ab (eb) ab (eb) Ab-db

A-d

Bb-Eb

Cb-fb

Bbb-Eb ab-Ab

(db)

ab Eb